Premium Anamorphic by ARRI/Zeiss. This ARRI 50mm T1.9 lens is part of the Master Anamorphic line of lenses, a set of anamorphic widescreen format primes designed and built through a partnership between ARRI and Zeiss to fulfill the most demanding anamorphic lens needs of filmmakers. You’ve found la crème de la crème.

The Anamorphic Look. This lens is an anamorphic design that in the most basic of explanations squeezes your captured image into a smaller sensor (or previously film) area. This lens does it very well. Oval bokeh and lens flares are subtle but beautifully rendered here with the default master anamorphic flare set, and you get dreamy-looking blue-streak lines.

PL LDS Mount for Accurate Lens Data. Master Anamorphic lenses feature ARRI’s PL mount paired with their Lens Data System (LDS) to transmit accurate lens metadata to compatible cameras. This is very useful for effects work and maintaining a consistent image throughout the editing process.

Glass That’s Worth the Price. The real achievement here is the accurate reproduction of contrast and color in a relatively small anamorphic lens that doesn’t breathe and has no distortion. The more clinical take on this type of lens is well suited for critical shots that require knowing exactly how the glass will perform in a variety of shooting conditions.

Compatibility. While this lens is designed to provide a 2.39:1 aspect ratio on Super 35 sensor type cameras, the 29.26mm image circle may not provide full sensor coverage on all S35 cameras, depending on your recording format. If you have questions regarding sensor coverage, please contact us and a tech will be happy to help you determine whether this lens is right for your shoot.